|



Music by Harvey Schmidt Book and Lyrics by Tom Jones
Performance Riverside
Performance Riverside, Riverside, CA
THE
FANTASTICKS
Landis Performing Arts Center
Those
who view Stephen Sondheim's Into the Woods for the first time might recall a
much older musical with similar themes. The Fantasticks, the long-running
Off-Broadway fable (1960–2002) by librettist-lyricist Tom Jones and composer
Harvey Schmidt, introduced the idea of a "happily ever after" first act followed
by a post-intermission musing on the downside of eternal bliss.
The joy
of director Nick DeGruccio's rendition is the way he has seamlessly dovetailed
the piece's timeless satire, broad humor, and bittersweet qualities into a
magical experience bristling with lyrical beauty. He bookends the story with an
ingenious new framing motif that is best kept a surprise, giving the durable
show an added dimension of ethereal grace.
Fears
that this intimate, delicate tuner might be dwarfed in the cavernous Landis
auditorium are quickly allayed. DeGruccio and his design team have found
imaginative ways to interpret the work as a fanciful spectacle without losing an
ounce of its crucial depiction of life-size emotional truths. To seal his
triumphant vision, the director assembled an exemplary ensemble cast.
Damon Kirsche is stellar as El Gallo, part narrator and part
manipulator who pushes the action along from the sidelines. Kirsche delivers
soaring ballads with power and panache and achieves a charismatic performance.
As the young lovers, Peter Musante and Barbara Chiofalo work together
beautifully, bringing their characters' virtues and foibles to life with
sterling vocalizations and nuance-rich portrayals. The comic foils—John Massey
Jr. and David Beaver as the scheming fathers, and Nils Anderson and Roger Ochs
as the buffoonish actors—deftly handle the comic pratfalls and ironic humor,
providing perfect counterpoint to the poignant romance. Jordan Beck has no
dialogue as The Mute but remains a formidable presence throughout; in
high-flying moments, he sprinkles raindrops and snow onto the characters, like
manna from heaven.
Don LeMaster's conducting and music direction are superb. His piano
accompaniment and Celia Chan Valerio's golden harp tones—both from onstage—serve
the evergreen score splendidly.
In trying to remember a
better Southern California staging of this classic—September or otherwise—I find
that nothing comes to mind.
-
Les Spindle, BackStage West
"Musical lives up to name...'FANTASTICKS':
The Performance Riverside production boasts a host of standout elements.
...director
Nick DeGruccio captures the simplicity of the little show that could.
That's no surprise when you consider DeGruccio
directed last season's "1776," which brought the theater five Ovation Awards,
some of Southern California's highest theatrical honors. The cast
earnestly conveys DeGruccio's faithful direction, which manages an intimacy
usually found in a venue much smaller than the Landis Performing Arts Center."
- The Press-Enterprise
|